He returned to the stage in a production of “Lucia di Lammermoor” at the New National Theatre, Tokyo and also participated in a production of “La Fille du Regiment” in Liege. During his recent season he engaged in conversations with Diane Zola from the Metropolitan Opera Francesca Zambello from Glimmerglass and Washington National Opera, Anthony Tommasini from The New York Times and Matthew Horner from IMG Artists, among others. With no performances at the beginning of the year, Brownlee continued his Facebook show “The Sitdown with LB,” an unfiltered and honest look inside the opera world.
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She would continue with Rossini for her Wiener Staatsoper debut when the mezzo took over a new production of “Il Barbiere di Siviglia.” The production was one of the most star-studded events of the year and was subsequently broadcast on national TV and later worldwide.īerzhanskaya ended her year with a return to the Deutsche Oper Berlin and her highly anticipated debut at the Royal Opera House in a revival of “Nabucco.”Ģ022 looks to be another year of important debuts and high profile productions at the Aix-en-Provence, the Teatro Massimo, and the Maggio Musicale Fiorentino, among others.Ĭonsidered one of the great Bel Canto tenors of our times, Brownlee opened the year with vocal fireworks in a stream of “I Puritani” from the Teatro dell’Opera di Roma and then performed in a virtual event for the Houston Grand Opera. During the highly anticipated production of “Moïse et Pharaon,” she stole the show with her aria “Ah, d’une tendre mère…” At the Rossini Opera Festival, she also participated in the Stabat Mater. In the summer, the mezzo-soprano was the talk of the town in Pesaro. She began her year winning the opera award for Young Singer and opened a new production of “Così fan tutte” at the Maggio Musicale Fiorentino before participating in several concerts at the Teatro Massimo di Palermo as well as in Russia.
Jump forward to 2021 and her name has become synonymous with Rossini and his music. She was an ensemble member at the Deutsche Oper Berlin and was singing leading roles at the Teatro dell’Opera di Roma including a film version of “Il Barbiere di Siviglia.” Vasilisa Berzhanskayaīefore 2021, Berzhanskaya was relatively unknown internationally. Now onto this year’s list in alphabetical order. Rolando Villazón headlined two Hollywood productions, “Cabrini” and “The Magic Flute,” and returned to the Metropolitan Opera following an eight-year absence.įinally, Michael Spyres toured alongside Lawrence Brownlee in a critically acclaimed “Amici e rivali” concert and was named Chevalier des Arts et des Lettres in France. Marina Rebeka released her “Il Pirata” recording, was awarded the Toti dal Monte award, starred in her first Feature Film, and headlined a showstopping Tudor concert. Like previous years, OperaWire is putting together a list of who we believe were standouts.īefore we look at our top 11, here are some honorable mentions: There were so any memorable moments in the year and there were truly some historical performances. Covid forced many cancellations, holding back careers.After a year and a half of limited performances and shut downs, 2021 marked the year during which performers were able to bring their artistry to the stage and to the audiences.Īnd now 2021 is bringing down its curtain. But 2021 was hardly a normal operatic year. Bass Marko Mimica demonstrated his prodigious talent on increasingly important stages. Baritone Simone Piazzola enjoyed steady employment and strong reviews and has also had numerous appearances on Italian television. Tenor Michele Angelini continued trilling his way to belcanto glory on specialist stages throughout the continent. Mezzo Teresa Iervolino has also had a busy schedule in European theatres and festivals. She has sung title roles at some of the top stages, and just performed Gilda at the Met to great acclaim. Last year’s most promising soprano Rosa Feola certainly lived up to everything this correspondent predicted. But that might be less appropriate for our sensitive operatic talents. Stock pickers would state a buy, sell or hold. But first, like any good stock picker, we need to take account of how last year’s winners fared. Once again, it is time for the annual pick of the most promising opera singers of the new year.
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